FILM FESTIVALS

Gay Viruses, Trans-Rockers, and Ghost Lovers: 5 Q! Films The Islamic Protesters Don’t Want You To See

I wanted to know why those Islamic hardliners at the Q! Film Festival in Jakarta even bothered harassing particpants. Sure it’s held in a largely Islamic country, but there must be greater threats to Islam — the Great Satan perhaps? A little pink celluloid from a nine-year-old film festival couldn’t hurt anybody. Then after looking at the festival’s line-up I finally understood. Five of the films look particularly awesome and if you saw them you’d probably just start blabbing to your straight pals and getting other folks interested in seeing them too. Of course when you have movies with ghost lovers in Switzerland, a fearless Brazilian trans-rocker, and a Japanese virus that turns straight men gay, how can anyone be expected to keep quiet about it?

The Family Complete

WHAT’S IT ABOUT?: On the day that a man dressed as a giant cat rapes grandpa, the Kanba family finds itself struck by a mysterious virus that makes all its men long for male love. The results are sexy, squirm-inducing, incestuous, and comi-tragic as each man must decide how to cope with his newfound attraction.

WHO’S THE DIRECTOR?: Japanese director Imaizumi Koichi has acted in over 100 “pink” films (Japanese romantic porn) and scribed three successful gay porn screenplays. His first sexually explicit short film Angel in the Toilet now comes on DVD with his first full-length film Naughty Boys, a raucous live-action manga about two adulterous lovers. It features a fortune-telling duck in a wheelchair, a drag queen brawl, and a sex scene involving a snake, a snail, and a frog — genki, ne?

WHY IT’S IMPORTANT: Homosexuality has long been called a virus and an illness so it’s nice to see a film finally push that idea to its limit. In doing so, the film makes an unexpected intersection with HIV and examines how closeted Japanese men alternately hide and explore their gay desire in a homogenic, family-oriented society. The film also reminds queers of when they first realized that their desire would fate them to live an “untraditional” life.

Soundless Wind Chime

WHAT’S IT ABOUT: This “semi-autobiographical” film follows Chinese immigrant Ricky as he falls for Pascal a Swiss pickpocket living in Switzerland. When Pascal suddenly dies, Ricky returns to Switzerland haunted by his memory and eager to find his lost soul. During his quest, Ricky discovers Ueli, a Swiss man who is a dead ringer for Pascal. But has Ricky re-discovered his old love or simply found a sad substitute to prolong his heartbreak?

WHO’S THE DIRECTOR?: Openly gay Hong Kong native Kit Hung studied film, video, and new media production in Hong Kong and Chicago and has since made transnational queer films financed by Hong Kong, American, Swiss, and French grants. Universities in Canada and Hong Kong use his 2001 graduate film I Am Not What You Want as material in cultural studies to challenge preconceptions about homosexual masculinity and queer acceptance across national borders.

WHY IT’S IMPORTANT: China’s expanding economic influence and the emerging push for Chinese gay rights makes Hung’s subject matter germane, especially when combined with his modern aesthetic. He films scenes upside down, overlaps and blurs footage, put multiple scenes into the same shot, and loops audio to convey the troubled mind of his characters. Plus, since I Am Not What You Want and Soundless Wind Chime both feature a main character named Ricky, it will be interesting to see whether Hung follows Ricky into other autobiographical films about his transnational love.

Y Buddy Claudia (My Buddy Claudia)

WHAT’S IT ABOUT?: For over 30-years São Paulo performer, hairdresser, makeup artist, singer, songwriter, author, and transgender icon Claudia Wonder stood at the forefront of Brazil’s alt-rock scene and battle for LGBT rights. This high energy documentary covers Wonder’s exploits such as taunting police for busting fags instead of armed thieves, speaking on behalf of a sex workers’ union, baring her breasts in a straight men’s magazine, and bathing in blood as Madame Satan in a Myth de Vomito performance with her electroclash band.

WHO’S THE DIRECTOR: 35-year old Brazilian director Dacio Pinheiro worked as a programmer at HBO-Brazil while also directing music videos and short films. His works have shown at queer film festivals around the world including Outfest in LA, the Melbourne Queer Film Festival, Out Takes New Zealand, and the London Lesbian and Gay Film Festival. You can check out some of his work at his YouTube channel.

WHY IT’S IMPORTANT: Who doesn’t want an avant-garde alt-rocker as a transgender role model? As a well-known national icon who broke somewhat out of the queer ghetto, Wonder provides an model of how to mix art, politics and social justice. Also the director’s hyper-stylized multimedia editing reveals a unique approach to modern biography especially in an age where everyone has video, audio, and writing about them circling the globe.

Fish Out of Water

WHAT’S IT ABOUT?: Remember the “the seven deadly bible verses” that openly gay Episcopalian bishop Gene Robinson discussed with us? Well, a lesbian filmmaker has decided to make an entire film about those verses by interviewing professional clerics and queer folks and adding just a dash of her own coming out story alongside some charming animation.

WHO’S THE DIRECTOR?: Ky Dickens got rejected by her sorority sisters at Vanderbilt University when she came out to them. The experience led her to spend three years making Fish Out of Water. But she’s also done other work like filming live musicians like Concrete Blonde, Peaches, and Brazilian Girls; documenting community events around Chicago like Gurlesque Burlesque, Gay Games, and Estrojam; and producing commercial spots for big-name accounts.

WHY IT’S IMPORTANT: Since religious conservatives regularly bash queers with those seven verses, Dickens’ film gives ammo to those who don’t see queers rights as incompatible with religious faith. Also, the world needs more queer female directors and the international exposure of Fish Out of Water could help us see more of Dickens’ work soon.

Space of Desire

WHAT’S IT ABOUT: On January 15 1980, Inspector John MacLennan of the Royal Hong Kong Police Force was found dead with five bullet wounds in his chest by a group of fellow officers who had come to arrest him on suspicion of homosexual activities. The catch? He might have been murdered to prevent him from going public with the names of high-ranking police officers also under investigation for homosexual ‘offenses.’ His murder serves as the flashpoint for this documentary about gay marriage, employee discrimination, Pride, activism, and queer subculture through the eyes of Chinese sexologists, legislators, civil rights leaders, and Hong Kong’s first married gay couple.

WHO’S THE DIRECTOR: Straight director David Chow makes sure to delineate between American and Chinese queer rights battles by concentrating on China’s cultural contradictions. For example, queers would love social acceptance but not the publicity of a gay marriage. Also, China wants international businesses to invest there but continues to isolate itself by ignoring social issues affecting women and queers alike.

WHY IT’S IMPORTANT: China has been slower than Taiwan, Japan, and Hong Kong in embracing its LGBTQ citizens. Instead of lamenting China’s slow pace, Chow’s film looks at the cultural underpinnings that explain the country’s attitudes toward queers and the consequences affecting China’s ambition as an East Asian world city. As a result, Chow provides a stunning profile of China as a whole instead of just its disenfranchised LGBT community.

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