The 28-year old recently took some time from her hectic schedule – and a Play-Doh fight with a two-year old – to chat with our editor about venturing into the world of vocals, why being vulnerable rocks and the differences between writing for albums and composing for films, as she did for Into The Wild.
Andrew Belonsky: Alright, Kaki, let’s start with an easy one: how would you describe your sound?
Kaki King: Well, I don’t think my music is based on a lot of things, just heavy and intricate guitar work. My first two records were solo guitar records and then the next two were built on the same theme – there’s lots of complicated, unorthodox guitar playing. It can come in many different forms, but that’s the thing that drives my music for myself – I hear the genesis of all the songs when I start writing the guitar part.
AB: You always start with the guitar, but how else do you approach a project? Does it just bubble up? What’s your creative process like?
KK: It depends. Sometimes a song come out at odd times and I all of a sudden find myself writing on a friend’s couch. I think when I was younger, I felt like I had to have a reason to write a song, like I needed some emotional integration. Something had to happen, I had to feel very – I had to be turned on by something. I’m finding now that the more that you write; you can ease your way into it. Nowadays, if I need to sit down and write something, it’s easier to get into the strength of where I am as a musician. I can get into the zone faster, so I don’t have to have a terrible fight with someone or read a really sad book to write a song. Now I can flip the switch myself!
AB: So it was an easy transition for you to start focusing your work on more vocal-centric pieces?
KK: For those pieces, yeah, but I don’t really distinguish them. I’ve always written vocal pieces, but the guitar became this niche thing that I liked to do and I made two records doing that, but it’s – I don’t know, I feel like I’ve come full circle. I’m back to where I was when I was fifteen and writing melancholy pop songs. Then again, on the last album, I sang on five tunes, and I sing four on this one. While there are more vocals and lyrics that are personally relevant, it doesn’t seem to be all that different. It doesn’t feel like a different process.
AB: How much of what’s happening in your personal life goes into what the public hears? You said you don’t have to have a big fight, but are your lyrics still personal? You wrote on your MySpace page about how you challenged yourself to open up to outside influences. What was going on in your personal life that you were overcoming?
KK: Well, you know, a lot of the songs are pretty – excuse the clichÃ© – breakup inspired. I also had a lot of big transitions – my car was totaled, I moved out of my apartment, my dog died. All my safety walls fell around me. I felt naked and vulnerable, but at the same time, new and excited about – all of a sudden my life was very different than it had been a month before. It was a scary time, but an inspiring and freeing time, as well.