The first time a friend told filmmakers PJ Raval and Jay Hodges about Trinidad, Colorado—”the sex change capital of the world”—they couldn’t believe it. Their friend said, “it was a place where people arrived as men and left as women.” It also “had the biggest selection of size 12 pumps available anywhere in the nation.” 80-year-old Dr. Stanley Biber and trans-woman Dr. Marci Bowers have performed over 6,500 sex-change operations in the town of 9,000. Raval and Hodges spent two years following the doctors and some of their patients to learn more about genital reassignment surgery, small town tolerance, and the beautiful yet painful journey towards full self-expression. Their film Trinidad premieres on LOGO tonight at 8pm and is now available on DVD, so we’ve reviewed the film, profiled some of Trinidad‘s trans-residents, and added more insights from co-director, PJ Raval.
CO-DIRECTOR, PJ RAVAL
“I didn’t know much about trans-people,” Raval said, “so I approached with some questions. Trans gets lumped in with LGB and I find that really interesting because I think as a gay person that I don’t have to deal with feeling like my physical body doesn’t express who I am internally.
“Our intention was not to sensationalize or exploit but to create something where people can see the universal struggle for self-expression and give people an opportunity to explore these concepts of gender and gender identity. In one way, it surprised people how people who are not trans can identify with other trans people. These are people who can be your physician or could be your father or your brother.”
Raval’s documentary is such a humane, sophisticated exploration of trans issues that we couldn’t help but ask what he thought of Israel Luna’s trans-plotative splatterfest Ticked-Off Trannies With Knives. Here’s what Raval said:
“I personally believe in artistic freedom and artistic expression. I dont support censorship, so I think filmmakers have a right to make films any way they want to. When making portrayals of under-represented communities, there’s always pressure to portray them in a positive light. Is it fair to put this film in part under criticism because of its content? Can’t we let this filmmaker make whatever film he wants to look at it as a specific example rather than representative of everyone?
DR. MARCI BOWERS, SURGEON
After the birth of her child, Dr. Marci Bowers began hormone therapy, electrolysis, and breast development to transition into a woman. She’s currently the leading gender reassignment surgeon (GRS) in the world. She does about six gender-reassignment surgeries a week and has a yearlong waiting list.
Bowers prefers to call the procedure “genital reassignment surgery” because gender resides within a person and GRS matches the outward appearance to a person’s pre-assigned gender. During the film, Dr. Bowers provides a real and upfront explanation of GRS with surgical scenes and a touch of humor—she explains how older procedures left little more than a hole that sometimes even had echoes in them.
She only preforms 1 or 2 female-to-male surgeries a year because “it’s easier to take something away than to build something that isn’t there” and because the quality and advancement of FTM medical techniques are not up to her liking. She also feels that a lot of FTM physical transitioning (narrowing of hips, growth of facial hair, etc.) can be done effectively through hormone therapy.
The graphic scenes of genital reassignment surgery may make some squeamish, but Raval says that it’s one of the first things that people tend to wonder about the physical process of transitioning from a biological male to a female. They wanted to meet the topic head on. “It is a big deal, it is a physical process… and it also shows the extent that some are willing and feel the need to go to express who they are. To not show the actual process would be skirting around a very crucial issue.”
Dr. Bowers says, “People are changing their bodies all the time. Other than genital reassignment surgery, all the surgeries we do were inveted for other people… liposuction and breast surgery weren’t invented for us.”
Interesting note: Marci, who was married as a man, is currently dating Carol, Trinidad’s lesbian golf course manager. Does that makes Marci’s desire heterosexual or homosexual? Discuss.
SABRINA MARCUS, FATHER AND EX-SPACE SHUTTLE ENGINEER
Sabrina originally married and fathered two children with a woman who tolerated his living partially as a woman. However, when Sabrina’s spouse couldn’t stand Sabrina’s desire to live fully as a woman, they divorced. Then in 2003, Sabrina got fired from her job as a space shuttle engineer after announcing she had commenced transitioning from male to female.
She thinks a lot of people don’t understand what it means to lose everything just for who you are, “You lose it all. Immediately now everything is gone. You have to leave your house, pack your clothing and you’re just gone and you have to be 500 feet away from your house. It’s not a choice, it’s not something you choose, like so many other things in life.”
Whereas Dr. Bowers sees herself as a woman now, Sabrina sees herself as a trans-woman. Transitioning from male into female is important part of her identity and she doesn’t try to “pass.” Along with Dr. Laura Ellis (another patient of Dr. Bowers), she helps renovate a Victorian house in Trinidad into “Morning Glow”, a bed-and-breakfast where Dr. Bower’s post-operative patients can rest and rehabilitate in the company of other trans-operatives.
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DR. LAURA ELLIS: CO-OWNER OF MORNING GLORY
Dr. Ellis is another one of Dr. Bower’s patients and co-founder of the Morning Glow bed-and-breakfast.
In a scene showing her shopping at a street market surrounded by male vendors in baseball caps and baggy clothes, Dr. Ellis says that when a person transitions from male-to-female the people around them must transition as well. And that it’s the responsibility of the transitioning person to minimize the hardship on those they love.
When Dr. Ellis’ daughter Erin comes to live with the trans-women in Morning Glow for a short while, Erin comments on how the all new women undergo a sort of female adolescence late in their lives in which they begin learning about hair, makeup, manner, and dress. The transwomen look to Erin for advice and she takes delight in her role. Dr. Ellis seems more comfortable in her skin than ever, according to Erin. But she also seems slightly jealous of Dr. Bowers, someone who is more established in Trinidad society and more accustomed to living as a woman.
Erin calls Dr. Ellis her “father” yet refers to her father as “she,” exemplifying the subtle differences in ways family members relate to their transgender relatives.
TRINIDAD, COLORADO
According to Raval, “Part of the doc was interested in challenging those small town stereotypes. We live in society where we assign these gender roles. And here’s a group of people who were all very open to the idea of lots of transgender people being in their town. [For the residents of Trinidad] it’s a non-issue for several reasons. Dr. Bieber has a lot of respect as a local surgeon and a rancher. He started in ’68 and we’re just looking at it now. It’s just been part of their landscape, they’ve grown up with it and known about it all their lives.”
And while the documentary definitely captures trans-phobia from some of Trinidad’s residents, you’ll be surprised how many Trinidadians actually support Dr. Bowers’ medical practice, including local the Catholic church!
RATING: Five out of five morning glories: No matter your feelings on transfolk, Trinidad will make you re-examine your presumptions and force you to reconsider how far you’d go to exemplify your own values. The film forms an important bridge between the LGB and T communities and is as high and glowing as the Trinidad sign shimmering high above the Colorado town itself—exemplary queer filmmaking!
gina
No offense at Mr. Raval or Hodges, but Trinidad is such an old, old, old story. There have been so many documentaries on TV like the CBS one from years ago and Sex Change Hospital by Channel 4 in England. Marci Bowers has been on umpteen programs like Tyra and Oprah. It’s been done to death. Of all the interesting stories in the trans community (and interesting people in the trans community) and compelling issues around our community, they (and Logo) are choosing a very tired one. Again, it points out to me that people who don’t know that much about a community (and aren’t members of it or closely connected), just because they have access to filmmaking equipment and funding, aren’t necessarily good judges of what’s compelling or not.
And this statement: “Their friend said, ‘it was a place where people arrived as men and left as women.’
Is really quite simple-minded, inaccurate and transphobic (I know people at Queerty love that word).
Lynn
Gina, yes, the story of Trinidad, Co. has gotten a lot of attention. I remember hearing it described as the sex-change capital of the US back in the early 1990s when Transgender was first added to the rainbow alliance.
But good media coverage is never a bad thing. I haven’t seen the film, so can’t comment on it, but my caution increases when remarks are included in the Queerty coverage such as this:
“Interesting note: Marci, who was married as a man, is currently dating Carol, Trinidad’s lesbian golf course manager. Does that makes Marci’s desire heterosexual or homosexual? Discuss.”
I would hope that everyone reading the article knows that Marci is a woman, and that if she is in a relationship with another woman then she is a lesbian. Comments like the one I quoted make me feel like I stepped back in time to 1980.
Poofty MaGoo
You could make a movie about trans people being the most elevated, highest members of society portraying them as nothing but the grandest creatures on Earth and Gina would find something to crab about. It’s what she does. But we love her anyway.
I saw this documentary and thought it was very well made. Nice article.
gina
Poofty, I know that’s the assumption you want to make about my film choices, but you’re wrong. Two of my favorite films about trans people fall into certain “traps” when portraying trans people but there are reasons why they are so fresh and thoughtful while something like this is sooo stale.
“Different For Girls”– a British film from the 1990s has a man playing a trans woman (not something I’m usually into) but the actor does a brilliantly sensitive job and, it’s done with a lot of humor (AND SOCIAL CONTEXT… very important) and it comes off as a nearly revolutionary way of viewing trans people… she lives a life very much as a woman (not a transsexual), that life kind of sucks, her choice in men definitely sucks, but it’s well beyond trans 101.
Another film I was very moved by was Princessa (an Italian film from 2001). It has certain aspects that might make some trans people cringe: the story is about a Brazilian trans woman prostitute who moves to Milan and lives an existence which is alternately brutal, yet she has a choice to live very much “a mainstream woman’s life” and can’t do it . But Ingrid De Souza, the trans woman who plays her, is incredibly powerful and, very importantly, places her story within a context of social structure, class, sexual politics, immigrants and definitely, real transphobia. It has a maturity which US films about trans people (including Transamerica) never have… and that doesn’t mean showing them in a good light or with a Hallmark Card filter.
I have not seen all of this film about Trinidad (I have seen parts of it). What I’ve observed has been limp trans 101, and an awful lot of cliches about who trans people are and about transition. No shit the filmmaker didn’t know much about trans people… it reads like that… it’s obvious from the rehashed subject matter and the relatively shallow outsider observer treatment. This film is basically a documentary remake (or maybe a knock-off) of the classic CBS News piece and the Brit Channel Four Documentary (which was shown in this country as well called Sex Change Hospital)… sometimes literally shot for shot. If you saw a film which was a remake of Roger and Me wouldn’t you have some words for that director?
Lincoln Rose
She also feels that a lot of FTM physical transitioning (narrowing of hips, growth of facial hair, etc.) can be done effectively through hormone therapy.
Wow, Marci really doesn’t know much about us transguys. Our hips don’t “narrow”. The hormones make the fat on our bodies shift to a more male fat pattern.
Actual bone structure around the hips doesn’t change. The hips are actually one physical cue that helps people read transguys if they know what they’re looking for.
Nice try Marci. But no cookies for you.
gina
Lincoln, she might have meant shifting of fat deposits. But no, Marci is not the premiere SRS surgery endless news portrayals of her always claim. She’s had far less experience with MTF SRS than Dr. Brassard (who taught her the procedure she currently does) or Dr. Meltzer (who’s done SRS way longer than Dr. Bowers). Both of these men have done many more procedures than her.
Marci’s metoidioplasty procedure for FTMs is kind of a joke. At best, it’s only a partial procedure and has to be finished by other surgeons who actually know how to do it. She doesn’t know how to do phalloplasty. I wonder if those facts are in the film? Moreover, I know a large number of people who’ve gone to Marci who mostly describe her as being “a cold fish” “not terribly responsive to their concerns” or “aloof”… not the warm public relations stereotype we’ve seen portrayed in these “documentaries.”
gina
Correction: “But no, Marci is not the premiere SRS surgery”
should be:
“But no, Marci is not the premiere SRS surgeon”
Still sleepy.
Poofty MaGoo
Gina, I’ve seen your softer side and that’s why I like you. You are a thoughtful, serious person with important things to say.
Many of your comments are negative, however, and for a while that made me dislike you. I was wrong about you and I admit it.
No, this isn’t the exemplary documentary about the FTM experience. It is a documentary that allows people outside the community a glimpse of what the experience is for some people and it made me more sympathetic and understanding.
I’m not a film critic, like you are, and I have no expertise and don’t claim any. But I give the film maker an A for effort. I’m sure a trans-filmed documentary would have a different angle, wanting to portray everything in the best light possible but this movie was made by someone who didn’t understand and who was trying to learn and he did a good job of that, in my opinion.
My straight friends who saw the movie were very much educated and touched by the portrayal and they applauded the town for their openness and diversity. Is is the “right” message or a perfect message? I doubt it. But it doesn’t deserve to be automatically shot down because it isn’t perfect, does it?
gina
Poofty, I’m not automatically shooting it down… I’m shooting it down because it says nothing new, doesn’t seem to give a deeper examination of issues surrounding transsexuality (nor about the town) which have already been portrayed in some more ground-breaking documentaries and… and it got shown on Logo, something many other trans-related documentaries have not. Getting a documentary shown on a network is a big deal, why does this one deserve that honor… because it’s made by a gay man?
As to his effort… look, he’s discovering the subject through his fresh, uninformed eyes (which is worth something to him, but not necessarily much for others). It would be like someone younger coming along now who didn’t know squat about the Vietnam war, and making a fairly surface investigation of the facts surrounding that war (oh wow, like, can you imagine, we supported this totally corrupt government!!!)… is that an accomplishment? For that filmmaker it is… they’ve grown, they’ve learned something. But does it expand the discourse surrounding that conflict or add an interesting new dimension or perspective to our understanding of what happened… probably not.
I would especially say that if the film weren’t made by someone Vietnamese or who had fought in the war. If you’re going to look at something from the “outside” you better go deep and it better be made knowing the context and assumptions of previous depictions of that subject matter (and one’s own assumptions… documentary filmmaking 101.
Again Poofty, if a documentary filmmaker came along as said, I just finished this making this new film and it’s about the guy who’s the head of General Motors and I’m trying to contact him about how messed up my town is and he’s laying off workers and, and… I think you’d stop him and say… honey, it’s been done.
Poofty MaGoo
Gina, your points are well taken. From my perspective, this film did expand the discourse and added an interesting new dimension. Can you at least acknowledge that maybe not everyone in the world has seen the same movies you have and that maybe giving this one movie a broader audience might actually have some positive effects? That’s my argument. As I said before, I am no film critic, but I could imagine worse films to show on LOGO.
missanthrope
Old story is old story.
Though I’ll readily admit being jaded towards these kinds of documentaries. Poofty is correct in that this might expand the discourse for people completely unknowing about trans people, thier lives, etc.
But Gina is right that on the whole with trans documentaries in general (a genre that has existed since “Glen or Glenda?”, if you could call that a documentary) this story is old hat and doesn’t expand the narrative on the whole.
But exposure is good, so whatever.
Luke
@Lynn: Completely agree. Queerty needs to issue an apology for that discussion question. It is ignorant and transphobic.
fredgreenm16
So does anyone have any suggestions as to where/who is best for female to male surgery? Or any documentaries to watch on it?