
About Face: The Supermodels, Then and Now
Portrait photographer Timothy Greenfield-Sanders’s lush film explores popular concepts of beauty over the past five decades, weaving interviews with magazine mainstays like Carol Alt, Stephanie Seymour, Naomi Campbell and even Janice Dickinson with archival footage featuring gay designer Calvin Klein and modeling mogul Eileen Ford.
@Interesting: Or the Sundance programmers think representations of gay themes are intrinsically tied up with the decline of (American) society?
That’s an interesting thing: maybe the direction of gay rights/representation runs counter to most people’s perception of the direction of society as a whole? We’re making progress bit by bit, while society is declining bit by bit – and that’s why some people see a correlation between the two? I was joking about Sundance buying into this and clearly only idiots/bigots would see such a correlation – but it is an interesting difference. Maybe straight society is burning out and we’re the optimists/catalysts of the bright future/ :D
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@Lefty: No, I think its a representation of the limited amount (a) movies made about gays (b) the fact that the people making them have a limited range of subject matter they want to cover (that’s why I was stunned to see low income gays in a movie like Brokeback Mountain- I mean in gayville low income gays don’t exist), (c) The straights aren’t going to cover if we don’t and (d) gay rights is in vogue so “edgy” and “hip” remains including something gay even if its out of step.
The reality of course is that we are just as burnt out as the rest of society. Ever try having a discussion about non-gay issues with a bunch of gays? Ask them about economic issues? If anything, they are worst than the heterosexual majority.
Its just a disappointment that no one has made grade movies about a wide range of gay experiences. Its like when i see movies about African-Americans, and they are all in an urban setting. Its like black people don’t live anywhere else.
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The gay content seems disconnected from our times versus what is being described as looking at America in decline for the rest of the movies in screening.