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Artist Offers New Look At Masculinity
In this interview, his first published chat, Lee and editor Andrew Belonsky discuss the artist's process, the ever-evolving state of American masculinity and why men are so fearful. After the jump, of course… |
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We're inaugurating this, "The New Issue," with a fresh look at legendary Condé Nast editor Leo Lerman for a number of reasons. First and foremost, Knopf recently published over 600-pages of Lerman's insightful, touching and celebrity filled journals, letters and general scrawlings. Reading through The Grand Surprise, it struck us how much we - yourselves included - can all learn from a man like Lerman. From modest beginnings, gay, Jewish and "no beauty," as Lerman's former assistant Stephen Pascal described his late boss' looks, Lerman rose to the highest echelons of New York society. He wined, dined, danced and - most importantly - laughed with the likes of Marlene Dietrich, Truman Capote, Andy Warhol, a few Rockefellers and some Kennedys. The index to The Grand Surprise reads like the best invite list in the world. In history, perhaps. No surprise Lerman loved to party. He could turn what appeared to be nothing into the most spectacular something. Sure, Leo was special, but his pages reveal the "grand surprise:" we're all capable of something great. We just have to find out what that "something" could be. As part of our mission to learn more about Lerman, we sent our editor, Andrew Belonsky uptown to sit down with a few of the editor's old chums: Joel Kaye, Jonathan Marder, the aforesaid Pascal and, of course, Lerman's long-time lover, Gray Foy. Read the results, some excerpts and find a few surprises, after the jump… |