SOUNDBITES — "I can't speak for why others don't do it. I am baffled by it. It seems to me such an obvious civil-rights issue. In my case, I got interested in it and my eyes were opened precisely because I covered the theater. In the 1980s, which was the bulk of when I was a Times drama critic, to the early '90s, two things happened in New York theater. One was unfortunately the arrival of Andrew Lloyd Webber and the other was the AIDS epidemic, and it was eye-opening. It was literally happening on my beat; people, artists I admired, were dying, getting sick and dying. In some cases, you'd hear about people's deaths well after the fact, particularly if they weren't famous in the theater, or under mysterious circumstances in those days. Of course a lot of people don't even remember this history now, but you certainly know it, and it really had the effect of—I guess I wouldn't say radicalizing me, but really opening my eyes to a whole minority of America that had been shabbily treated, that had to often live in secret, and was now being victimized by a ruthless epidemic, while a lot of people stood around and did nothing." —New York Times columnist and Broadway snob Frank Rich on why his copy is filled with the G-word