In La Cage aux Folles, The Heterosexuals Are Neutered

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What makes the director Terry Johnson’s utterly absorbing revival of “La Cage aux Folles” (at the Longacre) so subversive is the way he insures that the straight characters in the musical have no real power on the stage.

—Hilton Als, opening his The New Yorker review of Broadway’s La Cage aux Folles [NYer]

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