Actor/writer/director Xavier Dolan’s psycho-thriller Tom at the Farm opens in the U.S. this week, two years after it premiered at the Venice Film Festival.
If you don’t know the precocious gay Québécois, you’d be well-served by the movie’s opening scene to describe his aesthetic, and maybe the perils of directing yourself: the film starts with a ten minute drive through bare-winter Canadian countryside to a remote farmhouse set to a French version of The Windmills of My Mind, which you may know from The Thomas Crown Affair. In the original, the memorable montage describes Steve McQueen and Faye Dunaway’s love affair; in Dolan’s version, he’s alone in the car with himself.
The 26 year-old could be directing anyone, of course, but when you’re an attractive young guy taking a leisurely selfie, people notice. If you’re Orson Welles on Instagram, maybe not so much. But Dolan is hot.
In Europe, they’re self-obsessed even without social media, so they don’t mind, and Dolan has found his greatest success there: all of his films have premiered at Venice or Cannes and been greeted rapturously, last year at Cannes by a shared Jury Prize with Jean-Luc Godard for the younger auteur’s latest, Mommy.
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But Dolan’s stylish mashup of sexual fluidity and family melodrama has been a hard sell with American distributors, so his five completed films, all eventually released in the U.S., have played out of order in American art houses. Even following Dolan’s career in the movies at the movies has been problematic.
So here’s what you may have missed, in the order they were made, and what’s coming up. Tom at the Farm, Dolan’s fourth feature, opens Friday. He’s probably grateful and annoyed.
2009: I Killed My Mother ( J’ai tué ma mère)
For Dolan’s debut, the 19 year-old directs himself as a 16 year-old from a script he wrote as a 16 year-old, and he’s fed up with mom. Hubert has a boyfriend with much cooler parents (Dolan names them Rimbaud, his single mother Lemming), ends up getting shipped off to boarding school, there’s another boyfriend, plus tantrums, lashing out, more adolescent angst and the Oedipal twist of the title. A hormonal New Wave homage and often very funny, I Killed My Mother earned a Camera d’Or and an 8-minute standing ovation at Cannes. Screened in New York for the first time in 2013.
2010: Heartbeats (Les Amours imaginaires)
In the sexy 3-way Heartbeats, Francis, played by Dolan, and his bff Marie meet superhot Nicholas at a party and take him home. The next 100 minutes is a battle for Nicholas’ affections, while Dolan’s camera lingers on the nubile 20-somethings in bed, on cobblestoned streets, feeding each other cherries and cavorting on the beach. He amps up the Nouvelle Vague—the material is vintage French New Wave—with a jolt of Hong Kong’s Wong Kar-wai. Released in the U.S. in 2011.
2012: Laurence Anyways
Dolan’s epic, 3-hour transgender Laurence Anyways, executive produced by Gus Van Sant and minus Dolan on screen, finds the director contrasting lyrical passages with documentary restraint in the decades-spanning story of a woman in love with a man who’s transitioning to a woman. Laurence and Frédérique—nicknamed Fred to really mix things up—are a great couple, but Laurence has a secret: she’s a woman, too, and wants to do something about it. Dolan alum Suzanne Clément earned Un Certain Regard for best actress at Cannes for her ferocious Fred, and Dolan picked up a Queer Palm. Released in the U.S. in 2013.
2013: Tom at the Farm
Tom at the Farm is a psychological thriller about a young Montrealer who travels to rural Canada for an ex-boyfriend’s funeral, and ends up insinuating himself into the family—on the DL. He’s outed by the dead boyfriend’s brother, who has his own issues with the gay and uses Tom’s deception to his advantage. With echoes of The Talented Mr. Ripley and Hitchcock’s Strangers on a Train (there’s a North by Northwest cornfield chase, as well), plus that moody Windmills of My Mind opener. Won the International Film Critics Award at Venice. Released in the U.S. in 2015.
2014: Mommy
Dolan returns to mother in Mommy, with the same mom in the title role, Anne Dorval, from I Killed My Mother 5 years before, but a different son, blonde punk Antoine Olivier Pilon. This time out, the occasional grace notes of compassion for Dolan’s mother in that first, semi-autobiographical film mature into an understanding, with some hindsight, of just how much mother may have had to put up with. Dorval’s more sympathetic character is contrasted with Pilon’s even more manic son, threatened by a near-future government with the authority to commit him. Shot and screened with a 1:1 aspect ratio, so you’re right up in there, and awarded a Prix du Jury and Palme d’Or at Cannes. Released in the U.S. in January.
2016: It’s Only the End of the World (Juste la fin du monde)
It’s Only the End of the World is based on the 1990 play by Jean-Luc Lagarce about a writer returning to his family after 12 years of estrangement to announce he’s dying. Good times, Dogme 95’s The Celebration vibe. With a cast including Marion Cotillard, Léa Seydoux and Vincent Cassel. In production.
TBA: The Death and Life of John F. Donovan
Dolan’s first English-language film is a satire starring Jessica Chastain and Lord of the Rings’ Jon Snow AKA Kit Harington. Donovan is an actor whose life and career are turned upside-down when a gossip columnist exposes his private correspondence with an 11-year-old fan, oops. With Susan Sarandon as mom and Kathy Bates as manager. Lots of mothers.
And for your immediate viewing pleasure:
Stephen Westwood
Have watched all his films available on DVD to date, more than once. Love his work, look forward to what’s to come.
Güstav
Beach, please. Anyone who knows a bit of foreign cinema knows how hyped Dolan is. The guy is around for a while now. 🙂
PRINCE OF SNARKNESS aka DIVKID
“Haven’t heard of” ? Fuck outta here! Only if you’re philistine late ass Queerty or the poor plebs they and their ill criminally underserve by continuously drip feeding inconsequential glitter fluff and regurgitated rainbow vomit to the exclusion of any real shit of consequence which might betoken gay excellence and genuine pride and uplift. What else is being overshadowed, what else are we being deprived of? If being gay in a cultural sense means anything it’s the facility and knowledge to navigate HIGH as well as low culture and all pop cultural reference points in between — it is our birth right. But there is an imbalance in the force. Rant over
Chris
Sounds interesting. Tell Netflix to add his work to their list.
SeeingAll
Xavier Dolan ? The name is too suspiciously Irish Catholic, sorry.
Maggie Brown
I found Heartbeats to be way more style than substance. Maybe he’ll get better as he matures.
Dev.C
Why so late to the party? Xavier Dolan has been an indie it boy for awhile now, most if his films are Netflix and he’s been acting in American films too. If any gay man who’s an indie film fan and doesn’t know who he is, shame on them.
SnakeyJ
@SeeingAll: There’s nothing suspicious about someone from Quebec having an Irish last name. There is a history of Irish settlers in Quebec for a couple hundred years. In the late 1800’s, thousands of Irish settlers died after arriving by ship, the children were adopted by Quebec families and were allowed to keep their Irish names.
SeeingAll
@SnakeyJ: Maybe that’s why so many NYC gays might hate Quebec.
Sweetie Pie
He´s from Montreal and got a Palm d´Or in Cannes….he got pissed off early this year because he did not get a nomination for the Oscars so in a sour grapes attitude he was was kind od disimissive about Hollywood. I have seen a couple of his movies and he´s going the way of Almodovar…he repeats himself and one movie looks like another even if they are different stories.
Kangol
I’ll look for them on Netflix.
What about other gay directors, like Quentin Lee? Kit Hung? François Ozon? Gaël Morel? Andrew Ahn? etc.
DannX68
Some of us have been a fan for years. He’s hot, yes, and great. I Killed My Mother is one of my all-time favourite films.
AtticusBennett
he’s a tremendous, staggering talent. MOMMY and TOM AT THE FARM are two of the most bracingly intelligent and interesting films you will ever, ever, see. and yes, i wanna marry him.
ethan_hines
Good ‘ol Montréal talent. I loved Les amour immaginares (with subtitles of course)
Stache99
@DannX68: Seriously? I think you should just go back to,,,” he’s so hot”.
DjARD
Admittedly, the cultural lexicon of dominant gay culture doesn’t leave much room for knowledge of foreign cinema. It seems most are content to be “lol such a nerd” and flock to the latest Marvel release along with the hets. But still, saying “you’ve never heard of” is downright insulting to any of us with some modicum of cultural vocabulary.
Dolan’s been rightfully praised for years in cinema circles – his knowledge of cinematic language and structure is greater than almost any of his American peers, and as a filmmaker myself, he’s an enormous inspiration. What he’s achieved so far in his oeuvre, particularly with Mommy, is nothing short of staggering.
Oliver Thiele
He’s quite famous in Europe actually. Ahem.
Stevenw
“In Europe, they’re self-obsessed even without social media”? What a lovely piece of continental-wide contempt. I wonder if this derisive throw-away comment could be remotely true?
http://time.com/selfies-cities-world-rankings/
Oh look, 2 of the top 5 are in Asia, the rest are in -gasp- America.
FancyUsername
Kit Harington was in Lord of the Rings? That’s news to me (and him too). I think you mean Game of Thrones. That’s the one that is sort of like LOTR, but has penis.
Ares Paul Mars
Completely full of himself
Clark35
He’s not hot but he’s from Quebec so that means he cannot speak proper French. Ares Paul Mars is correct he’s overrated and completely full of himself, and his movies suck.
DistingueTraces
“Lord of the Rings’ Jon Snow AKA Kit Harington”
You are thinking of “Game of Thrones”, the television show currently on HBO, not “Lord of the Rings”, the movie series whose final installment came out twelve years ago.
Your confusion is natural. Both titles have the word “of” in them.
TheGregoryProject
@Chris: you can watch Laurence Anways on Netflix Canada | https://www.netflix.com/ca/title/70243019
TheGregoryProject
@Clark35:
1 | so what if he doesn’t speak “proper” French. that’s an issue for you because …
2 | how many “proper” languages do you speak ? do people call you out if you’re not speaking “proper”ly ?
3 | “completely full of himself”. i’m not agreeing or disagreeing with you on this point, however, what is your opinion based
on ? have you worked with him and/or are you friends with Xavier ? do tell.
Rob Moore
@PRINCE OF SNARKNESS aka DIVKID: Well aren’t you just the lovely little poseur. Your snarkiness might seem more enlightening if you learned to spell, to use basic punctuation, and to put words together into coherent sentences. Instead, you come off the way my drug addled sibling does after she rotted her brain with too much alcohol and too many drugs.
crowebobby
@Sweetie Pie: Maybe he’s kind of dismissive of Hollywood because 99% of their output is plastic actors playing plastic characters in plastic stories for plastic audiences: Selena Gomez as Madame Curie, the American Mathematician who cracked the Enigma Code during the Korean War. And of course Dolan’s pretentious, he’s French! The English think they’re the most civilized people in the world; the French think they’re the only civilized people in the world.