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5 Lesbian Indie-Rockers You Need to Know About

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Daniel Villarreal last shared five homo-hop artists that should be on your radar.

Mention lesbian rock, and whatever part of your cerebral cortex stores this sort of thing will immediately pull up two words: Lilith Fair. But Sarah McLachlanā€™s traveling festival of female musicians took its last breath in 1999 ā€” and yet, miraculously, girls on guitars havenā€™t disappeared. Indeed, the spirit of the lesbian rocker lives on in all its Sapphic glory. Last month in San Francisco, a handful of up-and-coming lesbian musicians played at the queer arts and music festival Homo a Go Go, the perfect hunting ground for sibling guitar rockers, comic rappers, post-punk paranoiacs, and a handful of other bad-asses (like Girls In A Coma, pictured) willing to rock you a thing or two about heartbreak, wolf poop, and the ukele. Hooking up with ā€œthe third sexā€ never sounded so good.

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IDENTIFICATION: Tender Forever
ORIGINS: Portland, Oregon
RECORDS: 2
GET STARTED WITH: Her ukulele cover of Justin Timberlakeā€™s ā€œMy Loveā€ (video below)
KILLER LYRICS: ā€œItā€™s not you, itā€™s no one, Itā€™s just better, Iā€™m your guest, Iā€™m your lover, and like war it lasts foreverā€ (From ā€œHeartbroken Foreverā€)

Armed with only a keyboard, a laptop, and a mic, French-born electrosoul soloist Melanie Valera sings simple yet powerful love songs with a charming French lilt and occasional ukulele. She describes Tender Foreverā€™s sound as ā€œa kick drum in an empty warehouse while little kids play right outside,ā€ and the descriptionā€™s accurate. Her lyrics have a child-like sensibility both fun and profound. Backed by simple beats, Valeraā€™s near spoken word songs ponder the revelations and heartbreak of everyday love. In ā€œTiny Heart and Clever Handā€ she says, ā€œIf the wolves ever show upā€¦ you should go out and walk barefoot / you should measure your longest doo.ā€ Then after howling wistfully into the mic, she continues, ā€œYour heart is so tiny sometimesā€¦ Your hand is too clever sometimes / I wish you were a wolf sometimes / and wish sometimes was now.ā€

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IDENTIFICATION: Girls In A Coma
ORIGINS: San Antonio, Texas
RECORDS: 2
GET STARTED WITH: ā€œClumsy Skyā€ (video below)
KILLER LYRICS: ā€œI do want to marry you. / I want to suck all of your toes and love you when youā€™re feeling low. / And fall down when you scream, Bang!ā€¦ Scream it out, Youā€™re the first in the game. / Fail to mention now, youā€™ve forgotten my name. / Stare down the barrel of your own gun ā€˜cause itā€™s yoursā€ (From ā€œEl Monteā€)

This all-Mexican San Antonio trio has all the rocking sound of a great bar band, and thatā€™s no backhanded compliment. Yes, some of their songs sound the same, but in any given tune they can shift from Jenn Alvaā€™s easy-going guitar to Phannie Diazā€™s head-banging drums. Add to that Nina Alvaā€™s ass-kicking, heart-melting voice that sometimes turns Spanish, and youā€™ll understand why guitar rock goddess, Joan Jett, signed them to her label after seeing them just once. Their lyrical content follows Jettā€™s with songs about damaged love, gutless insincerity, and social traps, but they keep a distinctly hometown flavor in their videos. The video for ā€œRoad to Homeā€ features transsexual fashion icon Amanda Lepore lip-synching in a darkened cantina while the girls stir whiskey shots and a disheveled man dons drag in the backroom. Whatā€™s not to love?

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IDENTIFICATION: Erase Errata
ORIGINS: San Francisco, California
RECORDS: 3
GET STARTED WITH: ā€œTax Dollarā€ (video below)
KILLER LYRICS: ā€œIā€™ve got a way, yes. Iā€™ve really got awayā€”with murder, manslaughter, all funded by my tax dollarā€ (From ā€œTax Dollarā€)

A Monty Python politician in day-glo clothing directs his endless army of plastic men across a cartoon town. Meanwhile, grainy military footage places black boxes over soldiersā€™ guns and physical contact. Yes, Erase Errataā€™s ā€œTax Dollarā€ video may sound like fun and games, but itā€™s darkly serious stuff. The intense short songs of this post-punk trio come off like a lo-fi Gang of Four or Joy Division; their compositions are definitely more interested in decomposition, especially with topics like gender-motivated murder (ā€œhe wants whatā€™s mineā€) and corrosive friends (ā€œGross Graceā€). Only the rollicking drums and punchy vocals lighten their discordant guitars and foreboding bass.

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IDENTIFICATION: Mirah
ORIGINS: Olympia, Washington
RECORDS: 5 (solo-full length, though sheā€™s worked on 14 albums overall)
GET STARTED WITH: ā€œJerusalemā€ (video below)
KILLER LYRICS: ā€œLooking at that sorry face i can recognize the fear / But if you keep on looking up at night the stars will all appear / See thereā€™s food for me, thereā€™s food for you, thereā€™s gold thatā€™s in the air / Thereā€™s oceans deep and wide and there is love beyond compare.ā€ (From ā€œApples in the Treesā€; listen to it here)

Thirty-five-year-old Jewish lesbian songstress Mirah Yom Tov Zeitlyn began recording alone with her guitar on a 4-track tape deck her father bought her as graduation gift. Since then, sheā€™s become adept at ornamenting her acoustic songs to great effect with thundering timpani, dreamy xylophones, and haunting echoes. But at their heart sits a young woman still strumming out her most intimate confessions about absent lovers (ā€œThe Struggleā€), fellow musicians (ā€œOh September!ā€), and the friend who left her devastated (ā€œMt. Saint Helenā€). Her wistful, poetic stylings often get her compared to Liz Phair, but Mirahā€™s more lo-fi, soft-spoken and folky. And while sheā€™s not nearly as pointed or as upbeat as Liz Phair, her 2001 masterpiece, Advisory Committee, demonstrates that imagination, storytelling and honesty remain the most compelling of musical effects.

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IDENTIFICATION: Team Gina
ORIGINS: Seattle, Washington
RECORDS: 2
GET STARTED WITH: ā€œWife Swappingā€ (video below)
KILLER LYRICS: ā€œNow this is why lesbians just should not date / why do I have drama thatā€™s crossing like four states? / I broke up with Becky and she said, ā€œIā€™m not a ho.ā€™ / I never said you were but thatā€™s your rep in Coloradoā€ (From ā€œWife Swappingā€)

With matching 80s outfits, cheesy choreography, and comic pop-infused raps, itā€™s no wonder that Gina Bling and Gina Genius of Team Gina got voted fifth ā€œMost Bangable Bandā€ by the Seattle Stranger. They mock themselves as wannabe rappers but still deliver quick verbal dexterity whether theyā€™re waxing about the incestuous nature of community dating (Wife Swapping) or getting turned on by big butch dykes (ā€œButch/Femmeā€). But their comic rhymes also strike deep. Their breakout tune, ā€œProducts of the 80ā€™s,ā€ begins with a rapid-fire mash of 80s references from Back to the Future to The Oregon Trail and Garbage Pail Kids. Itā€™s a poppy nostalgic kick the ends pondering, ā€œEverything old is new again / weā€™re nostalgic for things we donā€™t even understand. / No day without AIDS in my lifetime / Donā€™t tell me everything will be all fine.ā€

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