Robert Mapplethorpe’s in-your-face queer aesthetic secured him a legacy well past his death in 1989. But it also earned him the animosity of critics on both sides of the political spectrum: Some claimed his work was just pornography, while others decried his explicit images of African-American men as objectification.
Last year the J. Paul Getty Trust and the Los Angeles County Museum of Art (LACMA) acquired a trove of works by Mapplethorpe, some of which are now on view in two concurrent Los Angeles exhibitions, “In Focus: Robert Mapplethorpe” at the J. Paul Getty Museum and “Robert Mapplethorpe: XYZ” at LACMA.
“In Focus” includes more than 20 works from the out photographer, dating from the 1970s and ’80s, including Polaroids, self-portraits, nudes, and rarely shown mixed-media works. “Robert Mapplethorpe: XYZ,” meanwhile offers up the 39 black-and-white images that comprise Mapplethorpe’s X, Y, and Z portfolios from 1978-1981, which address homosexual sadomasochistic imagery (X), floral still lifes (Y); and nude portraits of African-American men (Z).
Both shows run through March 24, 2013.
Below, view a selection of images from “In Focus: Robert Mapplethorpe” and “XYZ”
Robert purchased one of my photographs at my garage sale. He was with Robert Opel, the guy who streaked the Oscars when David Niven was getting ready to make a presentation.
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Yay :D