A Brokeback Mountain play is currently playing a strictly limited run in London’s West End. It stars Lucas Hedges (Boy Erased) and Mike Faist (West Side Story) as ill-fated lovers Ennis Del Mar and Jack Twist.
The production, which features a band and country-flavored songs, has earned positive reviews. The Guardian called it “perfectly pitched” and gave it 4/5, while the Evening Standard praised its “potent, subtle… dramatic alchemy.”
Check out the Queerty Brokeback Mountain review here.
The question on many people’s lips now is: Will it transfer to the US?
The man responsible for taking Annie Proulx’s much-loved novella and transforming it for the stage responded to that very question in a recent interview.
Ashley Robinson spoke to Brooklyn about the production. Asked if there were plans to bring it to New York (where Robinson lives), he said, “We’re exploring many avenues to bring it to New York. There’s lots of interest and conversations happening. And, you know, the right producer and the right theater will find us.”
Sounds hopeful, right?
Faithful to novella
Robinson revealed he sent a cold-call email to Proulx, outlining what he wanted to do with the story and asking her permission. To his surprise, she responded within hours and gave her blessing. She had turned down previous requests from other playwrights. This is Robinson’s first fully-produced play (he has other productions currently in the workshop stage).
“She’s a wonderful woman and very grateful for this adaptation, I think because we really took it back to her story,” Robinson said of Proulx.
“She says people try to rewrite the ending as fan fiction. I think that’s because this story is so personal for so many people who have never felt seen. It was and is a cultural phenomenon. ‘Brokeback Mountain’ was certainly the first time I identified with anything as a queer man. I’d never seen a rural gay love story. So it was really the first time I recognized myself, which is why I fell in love with it, tragic as it is.”
Personal connection
Robinson, who also acts, also revealed a very personal connection to the play. He was asked if he read the story before seeing the 2005 movie starring Heath Ledger and Jake Gyllenhaal.
“I read it with Joshua Park, my first love [and fellow actor], who I really made this adaptation for. We saw the ‘Brokeback’ movie together in 2005 when I was in Chicago doing ‘Wicked.’
“Afterward, we immediately walked across Clark Street to the Borders bookstore, bought the book, went home, and read it out loud to each other.
“He died very suddenly in 2015 at the age of 38, almost the exact same age as Jack Twist when he dies in the story. On Josh’s birthday that year, I wondered if I had that old copy of the story from Chicago, and I do … it’s right here.
“On the first day of rehearsal this year, [the cast] read the story out loud to each other and I thought, ‘Oh my god, full circle.’ It’s all been so serendipitous how it’s come together this way.”
Brokeback Mountain continues at Soho Place in London until August 12th.
Related:
Sweaty male bonding but gratefully no tap dancing in the new musical adaptation of ‘Brokeback Mountain’
The latest adaptation of Annie Proulx’s novella brings musical interludes to this haunting story of gay heartache.
Lucas Hedges on doing love scenes in ‘Brokeback Mountain’ play & why he’s trying to “forget” Heath Ledger
Lucas Hedges takes on the role of Ennis Del Mar in the new musical stage adaptation of ‘Brokeback Mountain.’
abfab
I sure hope not. London Resist will be out of a job cleaning toilets and harrassing Gay men in Covent Garden
Bonerboy
It’s not very good. It’s okay, but doesn’t come close to the magic of the film. Part of the problem is Hedges, as good a young actor as he is, just can’t find the character. Mike Faist, however, outdoes Jake in the film and is wonderful. Well, as wonderful as he can be in a mediocrely written production.
Kangol2
I’ll venture to ask: why was this play developed? Who asked for it?
E. Annie Proulx’s original short story is fine as is, and the film, in my opinion, is far better and should have received an Oscar as Best Picture in addition the Oscars for Best Director, etc. There also was an opera that the original author, E. Annie Proulx, collaborated on with the gay composer Charles Wuorinen, in 2012. It was staged in 2014..
So was anyone clamoring for this play? Seriously?