The Queerty Interview

Trick: Director Jim Fall Remembers The Classic Gay Rom-Com 15 Years Later

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[Editor’s note: Tonight the Los Angeles LGBT Center will host a screening of the 1999 film Trick. During the screening director Jim Fall will provide audio commentary and share anecdotes about making the beloved rom-com. The interview below was originally published Feb. 19, 2014.]

Do you remember your one-night stands from 1999? Neither do we, but who can forget Trick? Director Jim Fall‘s clever rom-com, which followed an aspiring Broadway composer (Christian Campbell) and a go-go boy (J.P. Pitoc) who get acquainted as they search for a place to hook up, struck a chord with moviegoers when it was released 15 years ago. To mark this anniversary the film, which also features memorable supporting turns by Miss Coco Peru and Tori Spelling, will be shown at UCLA February 22 as part of the Outfest-UCLA Legacy Project Screening Series (for tickets to the screening with Fall, Campbell and Pitoc in attendance, go here.) Fall chatted with Queerty about the making of the movie, the impact it had on viewers at the time and what the hopeful characters might be doing today.

How did you come to direct Trick?

I found the script written by Jason Schafer while I was directing a play. The early version of Trick, which was then called Gay Boy, was really funny and good but was maybe 70-some pages long. What I wanted to do was not make a movie that was about two gay guys coming out or AIDS or anything I felt a lot of gay movies were dealing with or a gay guy falling for a straight guy. There were a lot of gay guy falling for a straight guy movies that I found vaguely homophobic, actually. [Laughs] Even back then I was tired of what was fast becoming cliché. What I thought was subversive about the movie was that it was really about two guys trying to find a place to have sex and then they end up falling for each other.

In 1999 some people still considered it “brave” for straight actors to play gay characters. Did J.P. and Christian have any such concerns?

It wasn’t really an issue. The only issue is was when we were casting some actors turned us down. I don’t remember names, but back then it was a lot harder to cast a gay movie. You can’t ask an actor if he’s gay because it’s inappropriate. When Christian auditioned I didn’t ask, but I assumed that maybe J.P. was gay because I’d seen him in what was essentially a gay play and jumped to a conclusion.  It turns out that neither of them are.

imagesWhen they saw the film a lot of guys I know hoped J.P. was gay.

[Laughs] I know. He’s not, though. He’s married with two kids now. It wasn’t that big of an issue ultimately when the right actors came about. J.P.’s role was the hardest to cast. His character had one of the biggest arcs in the story. It was tough to find someone to play a go-go boy, who had that body and could act. [Laughs] I saw a picture of J.P. in his underwear in a gay magazine in New York. I went to see his play and he did a monologue in his underwear and I thought, That’s my go-go boy!

How did you find Christian?

Christian just auditioned. I came to L.A. to broaden the casting net and he was one of the people on the list. What’s funny is his first audition didn’t go so well and I kind of wrote him off. Luckily he came back to the call backs and he’d completely rethought the character and made him much more vulnerable. I thought, Oh, you’re the guy. Auditioning is very tough. It was my first movie. You never know if you’re saying the right thing to get an actor to show you what they can do. Thank God he came back. He ended up being perfect.

imagesTrick showed a more comedic side of Tori Spelling than 90210 fans had seen at the time. How did she become involved with the project? 

I was lucky that I had no firsthand knowledge of her. I knew who she was but I’d never seen an episode of 90210. She auditioned. One of my producers suggested her and I thought she’d be funny but she had to audition. She was totally a trouper. She auditioned with the diner scene and had it down. She knew why it was funny. She earned the role like any other actor.

Coco Peru nearly steals the film with her monologue. Did you write the role specifically for her?

Coco — Clinton Leupp is his real name — had been a friend of mine for a long time and I had put him in a play. Originally there was no drag queen in Trick, but when we did readings of the script Clint actually read the Tori Spelling role. [Laughs] I didn’t know any women who could read it funny and I wanted to hear it read funny. He was so good that I thought I had to work him into the movie. That bathroom scene evolved. We eventually wrote him in and sketched out a monologue for him, but Clint who is a monologist by nature basically wrote that based on what was in the script.

There’s a very strong resemblance between Coco and Tori. Was that intentional?

That has haunted the project. In fact when the film played at Sundance that was the first question we were asked at the Q&A. I honestly didn’t see it coming. I know that sounds crazy in retrospect. I knew Clint for so long and he’d always had that trademark red wig and Tori changed her hair color a lot. I think when I met Tori her hair was a different color. I honestly didn’t intend that to happen. I wish I’d taken more advantage of it. It’s a happy accident.

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Jim Fall

There was a surge of queer films in the late ‘90s yet Trick seemed to stand apart from the rest. What do you remember about the response to the film at the time?

When you’re in the middle of the whirlwind it’s hard to be objective. It just seemed charmed. It was an amazing, magical time and was everything you hoped your first feature would be. I’m very proud of it. It was my first feature and it was a validating moment. It was just wonderful to put something out there that I really loved and to have people respond to it.

Not every film gets a celebratory 15th anniversary screening. Why do you think Trick still resonates with people?

I’m honored that people still refer to it. When people ask me what I do and I mention that I directed Trick, most of the time people have a very positive response. I think there’s something classic about the story and emotions and falling in love which is very relatable. I was actively making a gay film but I think I stumbled upon a story that was accessible and kind of universal. The subversive thing is that you fall in love with two gay guys and when they kiss at the end you want them to kiss. I think that was very political for the time.

What do you think the characters are doing now?

I’m in the very early stages of a sequel. Everybody is on board and wants to do it. I resisted it for a long time but I think now that so much time has passed it would be interesting to revisit these characters as adults. I’m still developing the story but hopefully it will come together. The concept is the two boys went on a date and it didn’t work out. They ended up never having sex. Then cut to 15 years later and they run into each other again. This would be them getting together and getting to know each other in the real world as adults with a lot of water under the bridge.

Watch the Trick trailer below.

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