TIME TO SPARKLE

Breakout R&B Girl Groups: Who Had The Star Power To Go Solo?

Every once in a while, a woman emerges in the music scene with such talent and bravado you can’t help but think a star is being born. The upcoming film Sparkle could do just that for American Idol‘s Jordin Sparks, who in the movie actually plays the breakout lead in a fictional 1960s R&B girl group. It had us thinking about other recent girl groups and the breakout stars who went on to even bigger fame: Is it inevitable that one member rises to the top, goes solo and never looks back? Check out our roundup of recent R&B and hip-hop acts that have produced worship-worthy divas. Have a group we missed? Praying for a reunion? Sing out in the comments section. Sparkle hits theaters on August 17  
Initially an R&B favorite with hits like “Bills, Bills, Bills,” Destiny’s Child began moving toward a more mainstream-pop sound with their second album, The Writing’s on the Wall, and continued to do so until they disbanded in  2006. The more radio-friendly DC3 became, the more Beyoncé was positioned to be a star. After the band’s break-up, Beyoncé has launched into superstardom, while Kelly Rowland and Michelle Williams (a.k.a., “the other two”) have pursued solo careers with mixed results. Recently Destiny’s Child manager Mathew Knowles claimed the girls would reunite to complete two Destiny’s Child catalog records “with new material” and a possible tour. But Rowland put the kibosh on a reunion, saying the single ladies were “just enjoying each others’ friendship.” Plus, we figure Beyoncé might be too busy ruling the world.  
Black Eyed Peas diva Fergie began her career as Stacey Ferguson, part of the R&B-pop girl group Wild Orchid. At their height in the early 1990s, the group was playing arenas and scoring Billboard hits with “At Night I Pray” and “Talk to Me.” But by the late ’90s, the bloom has wilted on Wild Orchid. (Fergie late recounted one time when they were performing to an audience of three people at a state fair—next to a pig sty.) Lightning struck twice when Fergie joined the Black Eyed Peas, which was then moving toward a pop sound. She brought some major vocal pipes to complement Will.I.Am’s rapping and the combination turned BEP into a legitimate super-group. The Duchess eventually ventured off to do a solo album but returned to the fold for 2010’s The Beginning (and an offer she couldn’t refuse: performing at the Super Bowl). But last summer, the Peas announced they were taking an indefinite hiatus, opening the door for another Fergie solo project.  
Before heading up The Pussycat Dolls, singer Nicole Scherzinger was a part of Eden’s Crush, the pop girl group spawned from the WB’s 2001 show Popstars. The band’s first single, “Get Over Yourself” got some airplay but Nicole really found success with the Dolls. On certified hits like “Don’t Cha,” “When I Grow Up” and “I Hate This Part,” Scherzinger was doing all the lead—and backup—vocals, but was still presented as part of an ensemble. Since leaving the group—and taking on a one-season gig on X Factor and roles in How I Met Your Mother and Men in Black 3,  Scherzinger’s finally approaching household-name status. While Scherzinger’s two solo efforts have been, shall we say, less that triumphant(2007’s Her Name is Nicole was shelved before it was even released) we’re confident this pussycat has plenty of lives left.  
Badass singer Pink got her start in an R&B girl group named Choice. But her career skyrocketed when she made the choice to leave the band after three years. Originally Pink leaned toward R&B, with chart-toppers like  “There You Go” and “Most Girls.” But she’s evolved into a more rockified-pop sound that seems truer to her natural attitude, with songs like “Raise Your Glass” and “Blow Me (One Last Kiss).” Her next album, The Truth About Love, is due out September 18.

Let’s take a moment to think what could have been: TLC will always have a place in our hearts with turn-of-the-century anthems such as “No Scrubs” and “Waterfalls.”

They remain the best-selling female R&B group of all time, but after the death of  Lisa “Left Eye” Lopes, the group’s rise was cut tragically short. Left Eye’s surviving bandmates, Tionne “T-Boz” Watkins and Rozonda “Chilli” Thomas have attempted to continue the act in various forms but with limited success.)

Do you think the Grammy winners would be performing and releasing music today if Lopez was still with us? Or would Left Eye have had the star power to make it solo?

Let us know in the comments.

 

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15 Comments*

  • hamoboy

    TLC had it going on! T-Boz was an unusual lead singer, who lead from the bottom note, not from the top. Chili did her thing, never outshining the lead singer, but never being useless or making mistakes on stage (cough, Michelle Williams, cough). And Left-Eye, she is greatly missed! An amazing rapper, writer and decent enough singer.
    I loved how they sounded just the same live as in the studio, even with all their dance moves and crazy gimmicks.
    Another girl group you might have missed out on is Mis-Teeq. They were a british R&B trio that had hits in the early 2000s. The breakout performer there was the rapper, Alesha Dixon, who went on to win Strictly Come Dancing (dancing with the stars retread I suppose) and became a judge on the show. She’s had quite a few hits since, singing instead of rapping on all of them.

  • what?

    bills, bills, bills WAS on their second album. their first album has no, no, no (part 1) and (part 2). i sure am glad they got better at their song titles.

  • Jeremy

    Who cares? this is hardly relevant to gay news

  • JustSoda

    What exactly did these glorious girl groups do for the gay community? Most are probably so Church driven, they wouldn’t touch gay rights. Sorry, fake manufactored pop and r&b never appealed to me.

  • L.L

    Yawwwn.

    Can we get some interesting stories on this site?

  • Gabriel

    @what?: Was about to say that!

  • Kevin Mendoza

    Why is this news again? because gay black men will fawn over every black female singer? Same said black gays who are extremely indifferent toward gay rights, and are the first to throw gays under the bus? Some of the most homophobic people I’ve known are gay black males. And that’s the truth. Their anger is misdirected. Instead of confronting homophobia in the black community (which is a huge thorn on their side) they’d rather use the gay community as a punching bag. Now that a majority of gays have noticed how bitter and homophobic said gay blacks can be, there’s a huge tension they’ve created, and then they get up in arms when people don’t wanna date them
    and I say this as a LATINO. A proud one. Latinos, even with their religious ties, are nowhere near as homophobic as black peeps or especially gay black peeps.

  • JP

    Do these women text sweet messages to Beenieman (after he sings about brutally murdering gays in numerous songs) like Nikki Minaj does? how about Rihanna, who is celebrated as some golden diva, but dates a man who beat her and who is proudly homophobic?
    guess it’s okay of them because they are minorities and it’s not PC to call out other minorities being homophobic to us.

  • jonasalden

    @Kevin Mendoza: I agree with most of what Kevin Mendoza says, and I’m Black. It is the “church-y” vein running through the Black community that accounts for the homophobia. Go to any Black church and check out the choir. Many of them are gay, which means they are part of the system that suppresses gays in the Black community. However, as for being the first to throw gays under the bus, the reason is complex I think. Many Black gay men don’t perceive the greater gay community (read: White gays) to have their interests at heart, based on the well-known dating bias AWAY FROM BLACK MEN among them (save for those who actually prefer Black men). Why that is, I can only guess (down-low AIDS fears, general racial bias, etc.), not just due to that said bitterness. And as for not confronting homophobia in the Black community? Spot on, Kevin Mendoza. But I’ll tell you something else I’ve experienced: criticism from other gay Black men for not dating Black men exclusively. But that’s another topic.

  • jonasalden

    @JP: I didn’t know Rihanna was (proudly)homophobic. I’m not disputing that at all, as she’s from the Caribbean, where it is strongly frowned upon. But more importantly, Minorities not wanting to call out other minorities is a compelling point that I can’t believe I’ve never thought about before. Hmmmm.

  • Arlington-Patrick

    Sadly, as a biracial man, I agree with some of these points. We, especially those of us gays of color, are in the fight of our lives every day, be it for being a sexual minority or racial, and that’s why its so important to get the support of more black artists sticking their necks out for us. The black community really disappoints me in that sense. These female singers may be talented but I do have a feeling of ‘what have they done for me? For their gay fans of color?’ I refuse to blindly support some artist just because they share the same color as me, even though they haven’t expressed support for other parts of me, in this most crucial time for our LGBT. And yeah, black gay peoples general nonchalant approach to homophobia is what has kept homophobia in our community from being far better than it could be. That may not be the diplomatic thing to say, but I lived it and see it, and clearly I’m not the only one

  • jonasalden

    @Arlington-Patrick: Here here!

  • hamoboy

    Two words: Intersectionality and Privilege. Anybody wanting to talk about -isms needs to have a working knowledge of those two concepts.

  • dax

    this is a lame post. i dont think most people care about bubble hum pop artisy when lgbt issues are more important and so are economic issue

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