“I always thought it would be better to be a fake somebody than a real nobody;” famous words to live—and kill—by, according to the talented Tom Ripley, one of cinema’s (and the literary world’s) most complicated and fascinating gay villains.
The character was first introduced to the world in the 1955 thriller novel The Talented Mr. Ripley from esteemed author Patricia Highsmith (who also wrote Strangers On A Train and The Price Of Salt, which the movie Carol was based on), and then would appear again in multiple novels up through 1991’s Ripley Under Water.
Then, a whole new audience met Ripley in Anthony Minghella’s acclaimed 1999 film of the same name, with Matt Damon in the titular role, conning his was into the life of spoiled heir Dickie Greenleaf (Jude Law) with more than a little homoerotic tension—and deadly consequences.
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Now, the infamous character returns to the screen anew—with a throwback black-and-white look—in Netflix’s gorgeous miniseries, Ripley, written and directed by Steven Zaillian (HBO’s The Night Of).
This time around, he’s played by the great Andrew Scott, the out actor fresh off of his career best work in in the romantic ghost story All Of Us Strangers (which was shamefully snubbed by the Oscars).
Pegged more as an adaptation of Highsmith’s novel than a remake of the ’99 film, Ripley opens on our antihero as a grifter doing what he can to survive in 1960s New York City. When he meets wealthy shipping magnate Mr. Greenleaf, he cons himself into an opportunity: Travel to Italy to convince the man’s spoiled son, Dickie (Lovesick and Emma‘s Johnny Flynn), to return home and work for the family company.
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But, with Ripley, it’s not so simple. In Dickie, he sees everything he wants to be—and wants. And so begins a “complex life of deceit, fraud and murder.” The only thing standing in his was may be Dickie’s friend, Marge Sherwood (Dakota Fanning, in the role perviously played by Gwyneth Paltrow), who gets caught in the middle of the men’s jealousy-fueled friendship.
Also among the cast are Maurizio Lombardi, Margherita Buy, Eliot Sumner (who’s father is Sting!), and John Malkovich—who notably has also played Tom Ripley before, in the 2002 film adaptation of Ripley’s Game.
Of course, we’re most excited to tune in to see Scott sink his teeth into the iconic role. Though he’s been blowing audiences away on stage and screen for years, All Of Us Strangers was his (long overdue) first proper leading film role, and this juicy miniseries feels like the perfect follow up.
Not to mention, while we’ll never forget Matt Damon in Ripley’s lime green swimwear, we’re eager to see what a gay actor will do with the part, hopefully digging deeper into the character’s queerness and the way it colors his interactions with Dickie and the way he moves through the world.
All eight episodes of Ripley are slated to hit Netflix on April 4. You can watch the beautiful full-length trailer for the series below:
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monty clift
I’m all for a fresh take on this, and I’m glad it’s a gay actor too. Matt “I only recently stopped using gay slurs” Damon never did it for me.
bachy
Too wholesome.
Lucius
There is an even earlier movie adaptation of “The Talented Mr. Ripley”, the 1960 French film “Purple Noon” [Plein soleil]. It stars Alain Delon in his first major movie role as Tom Ripley. It is an excellent version and well worth seeking out.
I think the point of Patricia Highsmith’s Ripley novels is not so much that the protagonist Tom Ripley is queer but that he is a sociopath who is willing to manipulate anyone sexually in order to get what he wants…
linedrive
Interesting. He’ll have to work hard to make me forget Matt Damon. He was perfection in that role, and the movie was fantastic as a whole. I would never doubt Andrew Scott’s ability to bring a fresh take to any character, though.
bachy
I am so 100% down for this I can’t stand it.
chrispy33
Funny there is no mention of the latest movie with the same premise – Saltburn. Although I’m also more than a little crazy for the Matt Damon Ripley. But the more its remade, it seems the more homoerotic the story gets. Keep them coming!
Kangol2
Queerty spent weeks on Saltburn, Jacob Elordi, Barry Keoghan’s dong, etc. WEEKS.
RickyK
I’m looking forward to this, but I wonder why they went with an actor so much older than those who played Tom in both PURPLE NOON and THE TALENTED MR. RIPLEY. Both Alain Delon and Matt Damon were in their 20s when playing the role, while Andrew Scott is in his mid-40s.
Kangol2
It makes no sense story-wise. But then few many things coming out of Hollywood and the major streaming channels do these days.
Westnd
It looks like they are adapting the full set of Ripley novels, rather than just The Talented Mr Ripley. He is a lot older towards the end of the series, so I guess they probably wanted someone more in the middle of the age range
Man About Town
I hope it’s better than that overwhelmingly silly 1999 film version with the most implausible narrative imaginable!
dbmcvey
He’s such a great actor, I’m looking forward to this!
LumpyPillows
dmb, I hate to agree with you again. I must be coming down with something.
LumpyPillows
The article mentions John Malkovich, whom I thought died and was now just a bad AI after seeing him stink up “The New Look”.
“The New Look” and “The Swans” are two disappointing series out right now from our gay past. Both have all the right parts and still end up failing to be great. I’m watching them, but they could have been so much better. Like Dune 2…WTF went wrong? Maybe it’s me…as my “fans” will be happy to point out.
Hoping this movie rises above. 40 is the new 25 after all.
bachy
Tom Hollander’s portrayal of Capote is simply and utterly brilliant. I am completely transfixed. He not only captures Capote’s complex and odd persona, but is managing to thoroughly humanize him. Calista Flockhart’s Lee Radziwill is also captivating. The other swans not so much. I generally find Ryan Murphy’s style to be exhaustively overwrought; like a “drag show” version of the subject matter.
LumpyPillows
Tom Hollander is doing OK. He actually seems to be downplaying the role. If there was a character that should be chewing on the scenery, it’s Truman Capote. There is a dearth of energy.
All the Swans are fine, but homogeneous and also low energy. Seems like a lot of star power wasted. Jessica Lange is the only odd ball, and even that seemed a bit flat. CZ was unique but only because she was the only blonde.
The episode with James Baldwin was great though. Reminded me of why I wasn’t vibing on the earlier episodes.
My issue is mostly with the script and the direction. They even made the Black & White ball dreary.