In a seven minute video that went viral last May, Broadway actor, playwright, and self-proclaimed “zaddy” Griffin Matthews took his racist colleagues to task.
The video, which was captioned “Dear Amy Cooper: Broadway is Racist. #BurnItDown”, Matthews used Amy Cooper, the white woman seen making a false 911 report on a Black gay man, Christian Cooper, in Central Park, as a metaphor to discuss liberal white violence, specifically on Broadway.
“See, the thing about Amy Cooper is that she’s a liberal,” Matthews said. “She works with Black people, she believes she loves Black people. Her Black experience is strictly about money and profits. She has no real Black friends and has never needed to have them because that’s not part of the equation of rising to the pinnacle of success on Broadway. Think about that.”
He continued, “White people literally need not one Black person to become a Broadway sensation, to become a millionaire, to become a Tony winner, to become Broadway history. Not one Black person is needed to achieve that. And that is why Broadway is racist. Racism has been stealing our dreams, choking our stories, looting our talent, destroying our bank accounts and then discarding us when we are no longer valued.”
How about we take this to the next level?
Our newsletter is like a refreshing cocktail (or mocktail) of LGBTQ+ entertainment and pop culture, served up with a side of eye-candy.
Matthews asserted that racism at its core is about that personal, as well as systemic, exploitative power dynamic. And there it is.
Matthews, who has also appeared on the TV shows Dear White People and The Flight Attendant, later spoke with Advocate about growing up Black, gay and closeted, having to navigate playing “butchness” in acting roles, regardless of the character’s sexuality and the joy of finally getting to play feminine gay characters.
Unfortunately, this is a huge obstacle for many queer male entertainers to this day. In the interview, he also mentioned an arrested development he experienced in his 20s and the pressure that exists to perform masculinity and conform to an ideal even when the cameras aren’t rolling.
In addition to speaking openly about the issues the affect queer Black men, Matthews is the founder of UgandaProject, a nonprofit organization that sponsors the education of orphans living in Uganda. His humanitarian work there also served as the inspiration for a musical he wrote with his now-husband called Witness Uganda (and later re-titled Invisible Thread) that premiered Off-Broadway in 2015.
He also uses his Instagram platform to raise awareness to the issues he cares most about. In March, he mention it had been one year since Breonna Taylor was murdered by Jonathan Mattingly, Brett Hankison, and Myles Cosgrove of Louisville Metro police department without seeing justice. More recently, he made a heartfelt post titled #StartAsianLove to counteract the increase in violence Asian communities have faced since the start of the pandemic.
Matthews gives us pride because he isn’t afraid to speak out against things like systemic racism and inequality, even when it could have a harmful impact on his career, and because he celebrates uses his voice to educate and to stand in solidarity with other marginalized communities.
Scroll down for some pics from Matthews’ Instagram page…
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
View this post on Instagram
jellybean
Last time I checked Audra McDonald made Broadway history by having the most Tony wins. Doesn’t that also include 4 main categories? That’s Broadway history right there.
EddieB
To get a seat at the table, you’ll probably have to build your own table. Profits power Broadway. Create things people want to see.
Bonerboy
This guy is a piece of work. Yes, he makes some good points, but he bad mouths a director who, yes, I’m sure, like all white people, was somewhat problematic. But, you know, points to her for being one of the few female directors on Broadway and running one of the top ten tier theatre companies in the country. And someone, I’m sure, who is trying her best in a sea of white, straight male theatre makers. But. It was SHE who took a chance on their shitty musical, which would have been less shitty if they had only told the truth about what happened (it was their own story about a mixed race American gay couple who go to Uganda to help the African youth, and get catfished by a young man there. The problem is, in real life, they had a sexual relationship with this young man, but of course this did not make it into the musical). How DARE he smugly proclaim “Book of Mormon” is “racist” (sorry dude, that your Ugandan musical wasn’t as loved). I mean, he’s a lousy writer so I’m sure he doesn’t know what satire is, how stereotypes are indulged to make a point, and how Mormon’s Ugandans turn out to be the smartest people in the room!!! “Book of Mormon” might be one of the most progressive musicals I’ve ever seen (and one of the funniest; that ain’t easy). I swear, when he showed up on The Flight Attendant I almost turned the show off. Last year that nasty, ill thought out video diatribe pissed me off so much!!! And now here he is again getting lauded by Queerty. Just gross.
dumbperson
What? Where do you come up with this stupid shit?
BoomerMyles
Here here. Matthew is playing victim because he doesn’t have the basic talent to succeed.
nobjockey
I wonder if all the white people on Broadway are going to quit and give up their jobs now they realise how terrible and shitty to the core they all are?
Matthewnow
They should. Don’t you know by now that Black people GOOD, White people BAD.
Mary please.
whateverokok
YES!!! THANK YOU INTERET FOR REDEEMING MY FAITH AND TURNING MY DAY AROUND!!!!