On January 23rd, check the Weather Channel to see if hell’s frozen over. That’s the day we just might find that a record number of out gay/lesbian actors have been Oscar nominated for gay/lesbian roles.
I’m specifically speaking about a trio of folks who are already Golden Globe nominated–Andrew Scott for All Of Us Strangers, Colman Domingo for Rustin, and Jodie Foster for Nyad.
A single such instance doesn’t happen very often—let alone three of them–since (as I’ve previously suggested) Oscar prefers straights playing queers, thinking it oh so “brave” of them to do so. In a similar line of thought, Oscar nominees and voters traditionally snub gays playing gays, as if they aren’t really acting. (Remember when Rupert Everett was a lock to get nominated for 1997’s My Best Friend’s Wedding? He didn’t.)
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The “not really acting” trope is absurd, of course. Wouldn’t that mean a straight playing a straight isn’t acting? Should they take Meryl Streep’s three Oscars away? Besides, Scott playing a guy who settles scores with his dead parents, Domingo portraying a famed civil rights activist in a crisis, and Foster embodying a feisty swimming coach are definitely acting, and very well, thank you. They are certainly not just playing themselves any more than Gary Oldman was doing that, seeing as Churchill was reportedly straight!
Related:
Why are Oscar voters still afraid of two men having hot, steamy sex?
The Academy’s eagerness to nominate straight actors for LGBTQ roles as long as the characters keep their sex lives strictly PG-13 sends the wrong message.
Best Actor is the only category where someone openly gay was ever nominated for playing a gay character. A year after the Rupert Everett snub was when Sir Ian McKellen got a Best Actor nod for playing director James Whale in Gods and Monsters. It seemed seismic since it never happened before–or again. (Back to supporting: Yes, James Coco was up for 1981’s Only When I Laugh, in which he played a gay actor, but if Coco was gay in real life, he certainly wasn’t out. And Jaye Davidson got nominated for 1992’s The Crying Game, but Jaye is a gay man, not a trans woman like his character.)
In light of that, Bradley Cooper (Maestro) has the edge to win this time—not only because he’s really good as conductor Leonard Bernstein, but because Bernstein was bisexual and Bradley is thought of as straight. (People have short memories and have forgotten the old rumors). Oscar feels that’s capital-A Acting! Let’s not forget that last year’s Best Actor, Brendan Fraser, was also a straight guy playing bi (in The Whale). What’s more, he transformed himself physically (with prosthetics, to look larger), as did Cooper, with that famous new schnozz. There’s also the idea that “This actor hasn’t gotten their due and finally deserves the award,” which sometimes helps—but not always (ask Glenn Close).
Great Scott
At an event for All of Us Strangers, I got to ask gay director/screenwriter Andrew Haigh about this irritating phenomenon, and he agreed with me. “It’s silly,” he said. “Gay actors playing gay parts don’t get enough recognition. There’s nothing I can do about it, and it’s so frustrating. All I can do is keep making the films I make and casting who I want.
“I cast Andrew Scott,” he went on, “because he totally understood the character. We both know what it was like to grow up gay in the 1980s.” “But he’s certainly not playing himself,” I interjected. “Not at all!” assured Haigh. “Every inch of him is acting in this story.”
Said Scott himself the same evening, “Coming from Catholic Ireland, I feel like one of the biggest achievements for me is emancipation from my feelings of shame. My parents were very accepting of me. But the film is about the accidental cruelty of family. I sat them down once and I said, ‘You have to forgive yourself of any negative feelings you had before this conversation, because the media fed people such fear mongering.’” Scott added that his job in Strangers “was to be unfettered and bring as much of my experience to it.” And, dear Oscar voters, that’s what all actors do. You’re taught in acting class to call on your own emotions and experiences as they might relate to your character. And that doesn’t mean you’re not acting!!!
The importance of being Ernest
Meanwhile: Is a gay man somehow behind the creation of another Oscar contender, Killers of the Flower Moon? Well, sort of. All kinds of heteros are involved in the acclaimed film about the murder of Osage members in 1920s Oklahoma—mainly director/cowriter Martin Scorsese and stars Leonardo DiCaprio and Robert DeNiro—but late gay screen icon Montgomery Clift also played a role.
At a promo event I attended, DiCaprio talked about his naively greedy character, Ernest, who loves his Osage wife on some levels, but who’s also following his uncle’s advice to kill her relatives for money. “He’s an unreliable protagonist,” said Leo. “He doesn’t even trust himself.”
Interestingly, the actor added that Monty Clift’s movies were instrumental in helping him understand the character.
DiCaprio specifically named Red River (a cattle drive western, with Clift taking the reins from tyrannical dad John Wayne), The Heiress (with Clift bamboozling the love-starved title character), and A Place in the Sun (with Clift rising up the ranks of his family company and in the process dumping his plain Jane girlfriend for glittering socialite Liz Taylor).
“The corruption of the American dream, the lust for life,” is how Leo described these themes. “And the depths you will go the to achieve that.” Yep, that pretty much describes us gays, lol.
Eat drink man woman man
Add another queer-themed movie to the golden roster: Ira Sachs’ Passages—about a gay couple whose relationship is rocked when one of them has an affair with a woman—has been copping notice from various awards groups. It sounds plucked right out of a Moms For Liberty menage!
At a dinner at the East Village eatery Ella Funt for the Russell Tovey and WePresent doc Life Is Excellent–about late gay artist David Robilliard–I asked Sachs if he faced any resistance to his movie because of the queer theme. “It helps that there’s a woman in it,” he divulged, sincerely. I admitted to him that I found the characters a bit icky, until I realized that was the point and I totally gave in—and he replied, “But they’re sexy and fun too!”
Sachs will next do a short film concerning late photographer Peter Hujar, as well as a feature about avant-garde musician Arthur Russell. Hujar and Russell—like Robilliard—died of AIDS, and I have to thank Sachs and Tovey for preserving their history.
Wrestle with this
Hunky Zac Efron is terrific as a troubled ’80s wrestler in The Iron Claw.
At a post-screening talk, costar Stanley Simons was asked how the actors all became familiar with each other on the set. “When you’re all oiled up and wearing hot pants,” he replied, bemused, “it’s very easy to get to know each other.” Helleaux!
One more thing…
I hear Bernadette Peters was asked to play a supporting role in Boop! The Musical, the Broadway-bound show about Jazz Age cartoon character Betty Boop. She either couldn’t–or wouldn’t–do it, and that’s good. Bernadette’s been described as an “eternal kewpie doll,” but she’s long proven that there’s a lot more she can boop-boop-ee-do.
Related:
Queer films battle for Oscars! I break it down for you!
Author, columnist, and bon vivant Michael Musto gives his sharp take on this year’s queer crop of Oscar bait.
BLAKENOW
How boring…. Would you knock it off with all this gay actor should only play gay parts nonsense let me tell you something if you guys get what you want and have only gay actors playing gay parts and that’s all you’re ever gonna play… do you understand there will be nothing else for you to play? Do you really want a pigeonhole yourselves like that? I’m sure there’s plenty of gay actors out there that want to play a leading man who is also straight . It’s called Acting..
Love321
No. it’s interesting how people preach freedom of speech, but you’re telling a website what gay topics they should and shouldn’t discuss. Also, you missed the point. LGBTQ people are getting recognition for playing A leading role and it just happened to be gay. It’s not about gays playing ONLY gay roles, it’s about LGBTQ people playing ANY role and this time it happened to be gay roles, and people are celebrating that. LGBTQ people have not been given the opportunity to play straight LEADING film roles getting nominated for awards compared to their heterosexual counterparts, so people are saying can we ATLEAST play the characters in our own community.
dbmcvey
This article didn’t say that. It said that gay actors playing gay roles have been dismissed as “not acting,” which, of course, no one ever says about straight actors playing straight roles.
Openminded
db, ” It said that gay actors playing gay roles have been dismissed as “not acting,” That is what the article states. My question is, where are the facts that prove the article is correct in this statement?
This is the first time I’ve ever heard this “not acting” claim. The article writer may be 100% spot on, but I’m hearing them make too many self made claims for me to get too concerned about this story.
Rugby8
@Love321
…..nope, You missed the point. It is just as much freedom of speech to say “stop talking about this, it’s Ridiculous ” (which it is) as it is to talk blather on again like whiny brats
Love321
Rugby8- you believe YOUR freedom of speech is to silence others freedom of speech.
MISTERJETT
i haven’t seen any of the movies mentioned, so i can’t say which ones should win, but i hear that Colman Domingo has a good chance of winning for best performance by an actor.
Pietro D
He has a good chance, well sort of! I saw RUSTIN and he is very good.
But this an extremely over-crowded year for Best Male Performance
so it’s simply going to be who voters happen to like personally.
There are at least 10 men deserving a Nomination. FIVE will be
disappointed ….. and ultimately only one will win.
I still think that CILLIAM MURPHY will win for OPPENHEIMER.
Domingo has the disadvantage in that “Rustin” will NOT get a
nomination as best film of 2023.
izzird
Ian McKellan was nominated in the lead category for Gods and Monsters, not supporting. The movie won a screenplay Oscar & Lynn Redgrave got a nod in the supporting category. Fabulous movie, btw.
dbmcvey
Roberto Benini won that year, and his movie was terrible.
GayEGO
As a software engineer who learned how computers work, I received awards because I fixed bugs and was nice to customers. My point is that gays can do very good work regardless of their gender attraction.
Rugby8
C’mon Michael! (Musto)
This is really what you are worried about in this insane world????
Acting = “Acting” like someone else. As you pointed – wanna take Ms. Streep’s Oscars back? What about Ms Audra’s?
ACTING is the criterion. Of all the issues people of your age (and mine) have dealt with — this makes me embarrassed for you. It’s bratty.
I *thought* you had standards/intelligence